Showing posts with label Lee Norton. Show all posts
Showing posts with label Lee Norton. Show all posts

Thursday, June 30, 2011

Outside In # 7






1st edition, 1983, 150 copies on white cardstock.

2nd edition, January 1984, 20 copies on white cardstock.

3rd edition, 1984. Seattle, Washington : Starhead Comix, regular stock white paper.

Susan Catherine, Steve Lafler, John R. Gray III, Bruce N. Duncan, Brian Pearce, Lee Norton, Michael Dowers.

Pretty heavy on West Coasters in this one. Duncan died in 2009.

Tuesday, February 15, 2011

Retreads 9














1st edition, November 2005, 25 copies, white cover, regular digest size.

Trivia:

Pages 1-3: Yes, I really did interview J.P. Patches.

Pages 7-11: It is safe to say I did not enjoy the graduate school experience. But then again, I wasn't supposed to. The first panel portrays Lee Norton (who, for reasons I don't want to even begin to guess at, wore a duck decoy on her cranium once) interviewing Morty for an article entitled "Morty Dog, Come Home." This was originally in the Cooper Point Journal and reprinted in Retreads 4.

Pages 23-24: This particular teacher died last Fall at the age of 101. She was a sweetie. I hated algebra and used to draw cartoons on the margins. She would return my papers with the grade: "Math - D, Art -A." As you can see, I attended a pretty wild junior high during the Vietnam War era.

This is the only issue of Retreads still available at Poopsheet.

Thursday, February 10, 2011

Retreads 4





































1st edition, 1985, Pullman, Washington, 70 copies, cherry cover, enlarged digest size.

1st Danger Room Reprint edition, July 2005, 5 copies, blue cover, enlarged digest size.

In the 2nd half of 1985 I published several comix but didn't release them until the start of 1986. This was one of them.

Trivia:

Pages 10-11: "The Leash" was always one of my favorite short pieces. It originally appeared, I think, in Equinox, a comic with more of a fan audience than a Newave readership.

Page 16: As I recall, the title for this was created by first drawing the background texture and then taping a cut out stencil of the title over it.

The device of using third parties to describe a basically unseen character in an almost documentary way is a convention that has long interested me. Come to think of it, applying nonfiction narrative techniques to comix is something I learned from the undergrounds. If a documentary is well produced, no matter what the topic, I'm much more engaged than watching, say, football or baseball.

Pages 29-31: George Erling, Bruce Chrislip, Jim Ryan, and J.R. Williams are four very silly people.