Showing posts with label Truth Be Known. Show all posts
Showing posts with label Truth Be Known. Show all posts

Tuesday, March 22, 2011

SPACE 2011 Report, pt. 11




The much anticipated arrival of Buzz Buzzizyk/Maximum Traffic/Borpo Deets finally came to pass and all was well with the world. Max's arrival made an already extraordinary event become something historic for me. A lot of us sit around thinking creative thoughts, but Max actually has the energy and discipline to give expression to his visions. He is one of my artistic heroes.

Although we didn't really get a chance to talk a great deal, I was thrilled to finally meet him and look forward to giving Max a tour of my corner of the world someday in the near future.

Max brought a stack of the recent White Buffalo Gazette as well as his compilation, Truth Be Known.

In the above photo Max is talking with Colin Upton. In the background Bruce is showing Mike Hill and Hillary Buzzizyk the Outside In portraits on foamboard.

Monday, September 20, 2010

Morty Coins by Buzz Buzzizyk





Some of you might remember him from almost 20 years ago when he created very high energy comix under the name Maximum Traffic. His massive comix anthology Truth Be Known was published under his imprint in 1997. He flattered me by including some of my work in the book. But he changed his tag to Buzz Buzzizyk quite some time ago and has expanded his artistic talent to other mediums-- including producing coins out of clay.

Not too long ago he asked if he could use Morty the Dog's image on this coin of the obscuro realm and of course I was thrilled. Here we see a sampling of this very loose change, along with an image of the reverse sides.

Also-- talk about pushing someone's buttons!

When I basically went underground and practically vanished from the comix radar for a few years, Max (as I still call him) never gave up writing and sending me art.

He recently granted permission for me to scan and post our jams, so there will be some pretty wild work in posts to come. His stuff will wake you up.

If you want to contact Buzz and ask about his coins, or any of his other work, he can be reached at: 130 Short St., Butler, PA 16001

Sunday, September 12, 2010

Brave New Nazis of the Inland Empire








Before I explain why this was one of the weirdest and potentially dangerous comix I ever produced, let me get into the printing stats.

I believe this was first published by Starhead Comix in 1985. Starhead was the baby of Michael Dowers, who lived in Seattle at the time. Since this is the first mention of Michael in these little comic profiles, I must say the only reason my work is known at all to anyone beyond the dozen or people who follow my comix was due to Michael's promotion. He always believed in my comix and spent considerable energy publishing and distributing my stuff. Including this minicomic.

The original Starhead edition was an odd size. It had the traditional spine height for a minicomic (14 cm.) but it was 1.5 centimeters less wide. I think this was due to the fact the master stats were pasted on legal instead of letter standard paper, and folded in a different way. The scanned copy presented here is from the original edition.

The entire comic was reprinted in Maximum Traffic's massive Truth Be Known in 1997 (Butler, Pennsylvania).

In June 2005, 5 1st Danger Room Reprint editions were printed with yellow covers and pink guts. These were colors picked on purpose and deemed appropriate for the subject matter.

In Sept. 2006, 10 copies were printed up as the 1st OlyBlog Reprint Ed. (5 yellow, 5 pink and yellow mixed) as Olympia was experiencing some Nazi activity. I made them as gifts to a certain pro-democracy activist.

I first became aware of local neo-Nazi activity in 1981 when, as a grad student at the University of Washington, a fellow was handing out racist literature in the neighborhood as a self-professed Nazi. He told the press the time was ripe since he felt President Reagan's policies were really not that far from his own. He felt safe at last, he said. In fact, the Ku Klux Klan had endorsed Reagan in the 1980 election.

By 1985 I was living in Pullman, Washington. The home of Washington State University (where I was a librarian and faculty member), this town was, as the natives say, "Not in the middle of Nowhere, but you can see it from here." Only a few miles from the Northern Idaho panhandle, Pullman was in wheat country. Conservative Republican country. It was also the Party School for the state. Not noted for their political awareness, the student body supported Reagan's re-election by an overwhelming margin. WSU supporters of good old boring Fritz Mondale whispered their support as if they were members of the French underground in 1942. It was with amusement I noted the pro-Reagan kids' sense of betrayal when Ron the Con cut student aid as one of his first acts in term 2.

Anyway, right across the border, there was this mentally diseased character named Richard Butler who ran some sort of Nazi compound. His minions would stand in full uniform on the WSU campus and hand out racist literature. Amazingly, well, maybe not, the WSU students blandly accepted the fliers as if given by the pep squad concerning info on the next football rally.

According to the local news, the Nazis torched parts of neighboring cities and always made some guy stay behind to tell the press he witnessed an African American running away with a gas can. Classy.

So, feeling quite politically alone out there, I drew this little minicomic as my response to the nuttiness around me. And then I did something that perhaps I shouldn't of. I sent a copy to Richard Butler as my own little pitchfork jab. Right after that I started getting weird phone calls in the wee hours like 2 am with just silence on the other end. My co-workers and neighbors told me I was asking for suicide by Nazi. Their fear was real. But somehow I wasn't all that afraid. I knew I was either not all that important, or, Butler's group was filled with incompetent failures who couldn't even hurt a mild-mannered cartoonist if they tried.

And I thought, "My God, if just a few of these yahoos can inspire such terror, imagine what a really intelligent well organized group could do!"

You can argue with these clowns all you want. They dig it when you're angry and engaged. But they really really hate being laughed at.

Saturday, September 11, 2010

As I Recall the 'Sixties






The parallels between the 1860s and 1960s have long fascinated me. Those of us who grew up in the 1960s sometimes think that particular bubble in time was unique. But was it really? The captions could easily fit the 1960s, but the etching-like illustrations of the 1860s are also appropriate.

Now get set for a long printing history only of interest to comix fans. And I'm sure the following is not complete. There are some printings in my own files that I can't explain, account for, or guess at their origin:

One of my more reprinted minicomix. First published in Pullman, Washington in 1983, 75 copies.

The 2nd ed. was published by Robert Stump in Hopewell, Virginia in 1984.

In 1994 I had a large catalog of titles I would print on demand and each work had a "Reprint Series" statement. An unknown number of copies of this minicomic were printed and sold.

Also in 1994 25 copies (blue cardstock) were printed for the "Media, Communication, and Culture" program, South Puget Sound Community College (SPSCC), Olympia, Washington.

And again in 1994, 20 copies were printed as a "Special Fandom House Ed." for a distributor in Colorado.

In 1997 As I Recall the 'Sixties was reprinted in Maximum Traffic's enormous comix anthology, Truth Be Known, published in Butler, Pennsylvania.

38 copies were printed in 1998 for Mike Murray's history class at SPSCC (13 gray, 23 blue, and 2 blue without edition statements)

40 copies (20 green, 20 blue) were printed for Mike Murray's class in Feb. 1999. One of these was later posted on OlyBlog (July 2007)

The comic was included among several others as part of an exhibit of my comix at SPSCC July 5-Aug. 12, 1999.

The "KHW Ed." of Oct. 21, 2002 consisted of a grand total of 5 copies (4 green, 1 white).

The last hardcopy versions were published as 1st Danger Room Reprint Ed. in June 2005. Five copies (4 blue, 1 pink).