Showing posts with label Petrina Walker. Show all posts
Showing posts with label Petrina Walker. Show all posts

Thursday, June 23, 2011

Outside In # 4






1st edition, 1983, 150 copies on white cardstock.

2nd edition, December 1983, 20 copies on white cardstock.

3rd edition, 1984. Seattle, Washington : Starhead Comix, regular stock white paper.

Jean Francois Duval, Roldo, Mike Cody, Jim Thompson, Dan Florian, Richard Wayne, Petrina L. Walker.

Richard Wayne died in 1998 while in his early 40s. He was a very funny correspondent and minicomix creator and I have no doubt he'd be an entertaining commenter on this blog if he was still with us.

Dan Florian was an occasional comix artist who used to order my books in bulk. Occasionally I've seen his name resurface in recent years offering comix at online auctions.

Sunday, October 31, 2010

Cranium Frenzy # 4
















1st edition, spring 1983, Olympia, Washington. 74 copies, cherry cover, enlarged digest size.

Available as a print-on-demand title, 1996, regular digest size.

1st Danger Room Reprint Edition, June 2005, 5 copies, yellow cover, regular digest size.

Easily the most unusual issue of this series to date.

To start with, the cover was a linoleum block print using an oil-base color. I remember all those covers hanging to dry from clothes lines in the studio, making the room look like a used car lot. The subsequent printings did not have original block print covers.

The other unique part of this issue had to with the contributors. Nine other people had artwork in this comic: Robin Coder-Willis, Lee Norton, Anina Sill, Kevin Sill, Dean True, Jon Turnbow, Petrina Walker, Stevie Webb, and Kevin Wildermuth.

Kevin W. created the stamp seen in the upper right-hand corner of the cover. Except for Turnbow, all the other artists in the book were not involved with cartooning. In this comic he used the name "T. Warp." Jon is better known today under the name Strongbow.

For various reasons, I'll just be scanning and posting my own work here.

In a lot of ways my 1983 story also fits our current era.