Showing posts with label Seattle Star. Show all posts
Showing posts with label Seattle Star. Show all posts

Saturday, November 10, 2012

More Original Art!

Michael Dowers just sent me a huge package of original art I had apparently lent to him since the 1980s I had forgotten about. Thanks Michael! What an unexpected arrival in PO Box 390! A treasure trove of memories!

This work will probably be made available for sale very soon, as in starting today or tomorrow.

In taking an inventory here's what I find:

Stories (I will eventually track down the original publication source for all of them):

"No Cigar" (12 p.)
"Dredging" (4 p.)
"Rainmaker Painraker" (12 p.) from Storm Warnings. Conventional mainstream minds liked this piece, but I hated it. Go figure.
"Slim Chance and Fat Fate" (7 p.) also from Storm Warnings.
"Chow Time" (4 p.)
"I Love, Er, Like Seattle!" (2 p.) This was the only piece I drew as an original work just for the Seattle Star that was not a reprint aside from a cover for one issue.

Entire books:
Cranium Frenzy # 7 (1994). (19 p.)
Bezango (1994). (24 p.). I am torn about offering this art for sale for three reasons. First, this comic was later reprinted as a nationally distributed comic under the Starhead label with the title Bezango Obscuro. That jacks it up a notch. Second, as a nationally distributed comic, it left the fold of the obscure and my character Floating Baby Head was widely read. This character is now used in the Disney cartoon Phineas and Ferb, and I am still interested in investigating possible legal action against Walt's regime for stealing my idea. I know, it's a David v. Goliath scenario, and if I try I'll be crushed like an insect in a manner that will ruin me. But that concept was mine first in a national commercial comic and the original art can serve as a court exhibit. I feel very ripped off, even if it was possibly unintentional. Third, the upcoming documentary on NW cartoonists is called Bezango WA and I suspect this "Bezango" term will not go away. If that is the case, I now hold a precious primary source document that should reside in a public depository, like the Washington State University Comix Collection.
Xenophobic Knives and other Love Songs, Pt. 2 (1991) (12 p.) 

In addition, Michael sent three pages of an unpublished work called "Outside-In, the History of a Comix Series." Looks like it was drawn in 1989. Michael says he left p. 4 in a scanner, so when he sends that one I'll post the whole thing here. I must admit I have no memory of drawing this thing or why I drew it.

Still deciding whether or not to sell each page individually or as a set. I'm open to offers before I post. You can check out my other art and comix for sale here:

 http://www.mortythedog.com/p/comix-art-25-sale-includes-new-items.html

[Update: "I Love, Er, Like Seattle!" is no longer available]

[Another update: "Dredging" has been spoken for]

Saturday, September 10, 2011

Random Drawings, ca. 1977-200something






































I'm continuing to excavate material as I clean out the studio. Here are several random drawings from notes, letters, and other ephemera, mostly centered from 1977 to about 1983. The academic quarter drawing of an unnamed Morty is one of his earliest appearances, probably in 1978. I included it in a letter and it was never published. A blue card has a draft of Ofeelya from my Tragedy of Morty series. A 1977-drawn two panel view of Seattle anticipated my one-pager for the Seattle Star years later. I think the final page had something to do with one of my brother's plays and is the only piece from Century 21.

Wednesday, June 15, 2011

Seattle Star




















Oh, Washington my home, wherever I may roam--

Michael Dowers first published the comic tabloid Seattle Star in the mid 1980s. Most of my contributions were recycled from my books, but Michael added color to several of them. Here are the colorized versions. All the black and white stuff you guys have already seen in this blog.

I liked the fact that no matter if the comic was reprinted in color or black and white, Michael liked to use a lot of my cartoons with a Washington State or Pacific Northwest theme in keeping with the Seattle Star feel.

Before Fantagraphics moved up here in the late 1980s, Michael Dowers' Starhead Comics publishing concern was probably the main venue for outsiders to learn about comix art from the Pacific Northwest.