One of my fave pizza places has closed up, I am sorry to say. Apollo's on Olympia's Westside made some of the best pizzas I have ever had. I even hid a couple Morty Comix there as well as phone photoed a discarded portable dental floss by their front door, so the joint had some history here on Morty the Blog.
This picture was taken a year ago when I hid a Morty Comix in that bench facing the camera.
Thanks for all the good memories, Apollo's. One of my best recollections was around 2007 when there was a bad storm and the power went out. Ian had a bicycle helmet headlamp he lent to you guys so you could continue working in the kitchen since the ovens remained hot and we all ate by candlelight.
Showing posts with label Morty the Blog. Show all posts
Showing posts with label Morty the Blog. Show all posts
Tuesday, November 5, 2013
Goodbye to Apollo's Pizza
Labels:
Apollo's Pizza,
Ian Bickelhaupt,
Morty Comix,
Morty the Blog,
Olympia,
pizza,
portable dental floss,
restaurants
Saturday, July 27, 2013
Taking an Art Break
Taking an art break for a week or so, although I might check in on Morty the Blog now and then.
See you Pittsburgh, August 2!
Friday, July 26, 2013
This is the 5000th Post on Morty the Blog
Sunday, March 31, 2013
Morty Comix # 2550
Morty Comix # 2550 is going to Florida. A Morty the Blog reader sent me a SASE with the above note.
The thought crosses my mind that those of you who were raised in the email era might not know the acronym-- SASE means Self-Addressed Stamped Envelope and was a regular part of our pre-Internet vocabulary in the Newave Comix era.
Anyway, I'll the keep the identity of this individual anonymous for the time being, since I know this person to be a fellow lover of mischief and I don't want to spoil whatever surprise he has in mind.
The envelope now waits by the door for my next trip to the Post Office.
Labels:
email,
Florida,
Internet,
Morty Comix,
Morty the Blog,
Newave comix
Sunday, February 10, 2013
Morty Comix - 30 Years, a History and Guide
30 years ago I started a comix series. It was called Morty Comix and little did I know where it would take me. In 1983 it was a comix sideshow, and today it is my main venue for artistic expression on several levels.
Here's the guide I wrote for Morty Comix as it appeared on OlyBlog, July 17, 2007:
[Warning, unless you are into alternative and obscuro comix, the following essay will contain references that might seem esoteric and remote. This article (now slightly revised, 12-1-07) was originally written in Apr. 2002 for the White Buffalo Gazette (WGB):]
Morty Comix started in Feb. 1983 with several motives in mind. First, it gave me a way to loosen up my drawing hand. Second, it was a way to drive completist collectors crazy. The basic Morty Comix was a blank index card folded in half with four original drawings. They were numbered in sequence, dated and signed. I attempted to include an issue in each piece of correspondence. Here are some answers to questions you probably didn't want to ask about this series:
The first issue was drawn in Feb. 1983 in Olympia, Wash. It was sent to the now legendary Ron "Gato" Vicens in Hawaii. I won't call #2195 the final issue, since I consider this title to merely be in stasis, but this was drawn in late 1999 and sent to Jeff Zenick in Florida. It was reprinted in WBG in June 2000.
There are four distinct subsets. #1-1000 (Feb. 1983-Mar. 1984), #1001-1225 (Jan.-June 1985), #1226-1760 (Sept. 1985-Sept. 1986), and #1761-2195 (Apr. 1, 1989-Nov./Dec. 1999).
In addition to the blank index card format, other issues were drawn on library waste cards, large sheets of butcher paper, cardboard, foam, styrofoam, and wood. Some issues were produced as puzzles, #1446 and #1500 are 80 pages thick. One issue (sent to Tim Corrigan), was burned into a large sheet of plexiglass. Another (sent to Bob X), was drawn in the sand at Ocean Shores, Wash. and sent as a photo. #1641-1690 were drawn on the inside covers of copies of Starhead Presents #1
Other artists participated in a few issues. Bruce Chrislip jammed on a few, although the exact numbers have been lost. Marc Myers jammed on #1430-31, 1439. Clint Hollingsworth and Myers and I drew #1432. John E. (John Eberly) with #1467, and #1730 was a 4-way effort, which included Ted Bolman, Michael and Keenan Dowers. #1433 was a Marc Myers solo.
Chris Bors took his copy of #1025 and (with my permission) reproduced it as a minicomic with a 50 copy run. #1882 and #2173 were drawn to be published, the first from Starhead Comix and the second by myself (50 copies). #2058 and #2114 have been "published" online at minicomic.com [2007 note, the URL is now dead].
Morty Comix have been sent all over the world. They have found their way to at least 4 libraries (NY State Library, Michigan State U., Washington State U., and Wis. State Historical Society). #1702 was attached to a string on a helium balloon in 1986 and was last seen high in the sky heading west from McCleary, Wash. Five issues were sent at random to other guys named Steve Willis. Lynn Hansen held the record for having been sent the most issues (70). He died in 1995 and when his comix collection was donated to WSU, it can be assumed the Morty Comix were in there as well. Other major Morty holders were John Eberly, Michael Dowers, Brad Foster, and Jay Kennedy. Minnesota collector Joe Schnide, by my reckoning, has managed to accumulate the largest collection of any living collector [2007 note, eBay bidder Albert Law seems to usually win the auctions when Morty Comix show up, so he must be up there as well by now], although WSU is where you'll still find the highest concentration. There are 13 issues I sent but cannot account for.
In 1984 Brad Foster published a large collection of this series in The Almost Complete Collected Morty Comix, culling from the 1983 and early 1984 issues. Somehow Brad managed to talk several people into loaning him their copies. Morty Comix have also been published in: Inside Joke, Acme Subheroes, Mini Haha Komix, Monthly Independent ..., Scratchez, Misc. Comics, City Limits Gazette, American Leather, Over the Wall, Small Press Comics Fanola, Mashuga, Small Press Comics Explosion, Morty the Dog, Upperground, Industrial Toilet Paper, Maximum Traffic, Bezango Obscuro, Damn Weird Comix, White Buffalo Gazette, and, Cartoon Loonacy.
Although Morty Comix didn't exactly start a genre, it did inspire a number of short-lived responses from other artists such as: Par Holman, Paul Cartmill, Richard Wayne, Roldo, Chester Brown, Jim Ryan, Clint Hollingsworth, Maximum Traffic, George Erling, Marc Myers, Hank Arakelian, Gary Usher, Larry Weir, Jamie Alder, Jim Waltman, and Bruce Chrislip. They had titles like: Dawg'on'it Comix, Jimix, Le Morte Comix, Maori Comix, More "Tea"? Comix, Morfy Comix, Mormony Comix, Neon Paisley Dino Attack on Morty Comix, Nivlem Comix, Non-comic Comix, Nonmorty Comix, Psuedo-Morty Comix, Puppy Chewed Comix, Shorty Comix, and Ytrom. The only other artist I am aware of to seriously undertake creating multiple issues of an original hand-drawn series was Ted Bolman, who started Nauga Comix in, if I'm not mistaken, Jan. 1986. I'm not sure if Ted is still drawing this title, but he was up to #294 last I saw. Most of the Nauga Comix I have seen appear to have more of a storyline and are drawn with more planning and care than my dash-offs.
Morty Comix was sort of a statement that original art (at least my original art) is not some sacred collectible thing, but merely the residue of a compulsion that is freely sent to anyone who I was in contact with. In the last decade it was harder to keep up, and I didn't always have issues to send. They were messages in a bottle. It is fun to track them and see where they wind up. So it is with considerable irony I have seen them sell for as much as $50 each on eBay. Sure, it is out of my control now, but Jeez, what will these things be worth after I croak? Will I ever bring this thing out of stasis and start subset 5? Not for awhile, if ever. The 21st century and I are not really getting along too well so far, and somehow I feel I'm protecting Morty Comix by keeping it forever in the amber of the 20th century.
Now to the Update:
In the summer of 2010 an insidious co-worker named Shawn Moriarty convinced me to produce some more Morty Comix as a benefit for the Olympia Film Society. And so the disease was reborn.
Morty Comix # 2258 was really the first of my online random versions. Morty Comix # 2279 was the point where I started leaving them as art bombs on a regular basis. Morty Comix # 2403, I think, is when I began sporadically using random methods of choosing where to send an issue to spontaneous addresses via the U.S. Postal Service.
And now, for you unfortunate souls who want to collect this series, here is my list of Morty Comix distribution. Note that I originally kept track by name, then by number. Then I just stopped recording the info since they were tracked right here on Morty the Blog. I love the fact the most recent issues will be the most difficult to collect! Obscuro Comix Forever!
There are many notes made in non-photo blue on these sheets as I attempted to track the location before I gave up due to the hopelessness of it:
Here's the guide I wrote for Morty Comix as it appeared on OlyBlog, July 17, 2007:
[Warning, unless you are into alternative and obscuro comix, the following essay will contain references that might seem esoteric and remote. This article (now slightly revised, 12-1-07) was originally written in Apr. 2002 for the White Buffalo Gazette (WGB):]
Morty Comix started in Feb. 1983 with several motives in mind. First, it gave me a way to loosen up my drawing hand. Second, it was a way to drive completist collectors crazy. The basic Morty Comix was a blank index card folded in half with four original drawings. They were numbered in sequence, dated and signed. I attempted to include an issue in each piece of correspondence. Here are some answers to questions you probably didn't want to ask about this series:
The first issue was drawn in Feb. 1983 in Olympia, Wash. It was sent to the now legendary Ron "Gato" Vicens in Hawaii. I won't call #2195 the final issue, since I consider this title to merely be in stasis, but this was drawn in late 1999 and sent to Jeff Zenick in Florida. It was reprinted in WBG in June 2000.
There are four distinct subsets. #1-1000 (Feb. 1983-Mar. 1984), #1001-1225 (Jan.-June 1985), #1226-1760 (Sept. 1985-Sept. 1986), and #1761-2195 (Apr. 1, 1989-Nov./Dec. 1999).
In addition to the blank index card format, other issues were drawn on library waste cards, large sheets of butcher paper, cardboard, foam, styrofoam, and wood. Some issues were produced as puzzles, #1446 and #1500 are 80 pages thick. One issue (sent to Tim Corrigan), was burned into a large sheet of plexiglass. Another (sent to Bob X), was drawn in the sand at Ocean Shores, Wash. and sent as a photo. #1641-1690 were drawn on the inside covers of copies of Starhead Presents #1
Other artists participated in a few issues. Bruce Chrislip jammed on a few, although the exact numbers have been lost. Marc Myers jammed on #1430-31, 1439. Clint Hollingsworth and Myers and I drew #1432. John E. (John Eberly) with #1467, and #1730 was a 4-way effort, which included Ted Bolman, Michael and Keenan Dowers. #1433 was a Marc Myers solo.
Chris Bors took his copy of #1025 and (with my permission) reproduced it as a minicomic with a 50 copy run. #1882 and #2173 were drawn to be published, the first from Starhead Comix and the second by myself (50 copies). #2058 and #2114 have been "published" online at minicomic.com [2007 note, the URL is now dead].
Morty Comix have been sent all over the world. They have found their way to at least 4 libraries (NY State Library, Michigan State U., Washington State U., and Wis. State Historical Society). #1702 was attached to a string on a helium balloon in 1986 and was last seen high in the sky heading west from McCleary, Wash. Five issues were sent at random to other guys named Steve Willis. Lynn Hansen held the record for having been sent the most issues (70). He died in 1995 and when his comix collection was donated to WSU, it can be assumed the Morty Comix were in there as well. Other major Morty holders were John Eberly, Michael Dowers, Brad Foster, and Jay Kennedy. Minnesota collector Joe Schnide, by my reckoning, has managed to accumulate the largest collection of any living collector [2007 note, eBay bidder Albert Law seems to usually win the auctions when Morty Comix show up, so he must be up there as well by now], although WSU is where you'll still find the highest concentration. There are 13 issues I sent but cannot account for.
In 1984 Brad Foster published a large collection of this series in The Almost Complete Collected Morty Comix, culling from the 1983 and early 1984 issues. Somehow Brad managed to talk several people into loaning him their copies. Morty Comix have also been published in: Inside Joke, Acme Subheroes, Mini Haha Komix, Monthly Independent ..., Scratchez, Misc. Comics, City Limits Gazette, American Leather, Over the Wall, Small Press Comics Fanola, Mashuga, Small Press Comics Explosion, Morty the Dog, Upperground, Industrial Toilet Paper, Maximum Traffic, Bezango Obscuro, Damn Weird Comix, White Buffalo Gazette, and, Cartoon Loonacy.
Although Morty Comix didn't exactly start a genre, it did inspire a number of short-lived responses from other artists such as: Par Holman, Paul Cartmill, Richard Wayne, Roldo, Chester Brown, Jim Ryan, Clint Hollingsworth, Maximum Traffic, George Erling, Marc Myers, Hank Arakelian, Gary Usher, Larry Weir, Jamie Alder, Jim Waltman, and Bruce Chrislip. They had titles like: Dawg'on'it Comix, Jimix, Le Morte Comix, Maori Comix, More "Tea"? Comix, Morfy Comix, Mormony Comix, Neon Paisley Dino Attack on Morty Comix, Nivlem Comix, Non-comic Comix, Nonmorty Comix, Psuedo-Morty Comix, Puppy Chewed Comix, Shorty Comix, and Ytrom. The only other artist I am aware of to seriously undertake creating multiple issues of an original hand-drawn series was Ted Bolman, who started Nauga Comix in, if I'm not mistaken, Jan. 1986. I'm not sure if Ted is still drawing this title, but he was up to #294 last I saw. Most of the Nauga Comix I have seen appear to have more of a storyline and are drawn with more planning and care than my dash-offs.
Morty Comix was sort of a statement that original art (at least my original art) is not some sacred collectible thing, but merely the residue of a compulsion that is freely sent to anyone who I was in contact with. In the last decade it was harder to keep up, and I didn't always have issues to send. They were messages in a bottle. It is fun to track them and see where they wind up. So it is with considerable irony I have seen them sell for as much as $50 each on eBay. Sure, it is out of my control now, but Jeez, what will these things be worth after I croak? Will I ever bring this thing out of stasis and start subset 5? Not for awhile, if ever. The 21st century and I are not really getting along too well so far, and somehow I feel I'm protecting Morty Comix by keeping it forever in the amber of the 20th century.
Now to the Update:
In the summer of 2010 an insidious co-worker named Shawn Moriarty convinced me to produce some more Morty Comix as a benefit for the Olympia Film Society. And so the disease was reborn.
Morty Comix # 2258 was really the first of my online random versions. Morty Comix # 2279 was the point where I started leaving them as art bombs on a regular basis. Morty Comix # 2403, I think, is when I began sporadically using random methods of choosing where to send an issue to spontaneous addresses via the U.S. Postal Service.
And now, for you unfortunate souls who want to collect this series, here is my list of Morty Comix distribution. Note that I originally kept track by name, then by number. Then I just stopped recording the info since they were tracked right here on Morty the Blog. I love the fact the most recent issues will be the most difficult to collect! Obscuro Comix Forever!
There are many notes made in non-photo blue on these sheets as I attempted to track the location before I gave up due to the hopelessness of it:
Thursday, December 20, 2012
Phone photo 2146
Gordon's Grocery parking lot, McCleary, Washington
A nice way to personalize a blah asphalt area, and it is very McCleary.
[This is post # 4000 in Morty the Blog, and somehow seems fitting]
[This is post # 4000 in Morty the Blog, and somehow seems fitting]
Labels:
Gordon's Grocery,
McCleary,
Morty the Blog,
parking lots,
Phone photo
Monday, November 26, 2012
Morty Comix # 2472
Morty Comix # 2472 was drawn on the morning window condensation of the trailer where my brother Bryan and nephew Zach were staying at the Sou'wester in Seaview, Washington.
Too bad most of the image is lost in the photo. I guess this issue of Morty Comix is mostly lost to history as well. I realize that my current distribution of this title on the face might seem crazy, but on another level I have an audience who reads the Morty the Blog documentation of this artistic communication, although it garners very few responses from the finders. So the comic alone isn't as important as the conceptual placement and documentation, which in itself has become my new art form.
The Myth of Sisyphus by Big Al Camus probably explains my motives here better than anything else.
Back in 1965 we lost our big farm home to fire, and that was followed by seven glorious years with four of us in a trailer about the same size as the one pictured above. Our trailer was a third-hand, falling apart Great Lakes. Our Shetlands would scratch their backs on the end of the mobile home, and our whole house would shake.
But we survived intact and emerged the better for it. My own early lesson here was that material possessions are temporary and can be taken away in a flash. And when that happens, what is left?
Labels:
Albert Camus,
Bryan Willis,
Morty Comix,
Morty the Blog,
Myth of Sisyphus,
Seaview Wash.,
Shetland ponies,
Sou'wester (Seaview Wash.),
Zachary Willis
Saturday, November 10, 2012
William Henry Bush : The Civil War's Youngest Person in Uniform?
Last Oct. 20 I gave a presentation to the Washington State Historical Society on the life of Indiana-born Willie Bush, who is possibly the youngest person to wear a military uniform during the Civil War. Born in 1857, he served as a valet for his father, who was a guard at the CSA POW camp in Elmira, NY, also known as "Hellmira" by the unfortunate prisoners. Prior to that his father had served with distinction in many battles.
To make a long story short, Willie's journey led him to be part of the pioneer life out here in Oregon and SW Washington. He was a very active participant of building the Montesano, Washington community, including serving as Mayor. He became one of my heroes when I researched how, in his role as county Sheriff, he courageously defused the violent 1887 Grays Harbor Fishermen's War without firing a single shot.
I'm submitting my findings for publication, but in the meantime I prepared a handout for those folks who attended my presentation. I intended to produce just a one-sheet flier to accompany my talk, but I got carried away and it is 20 leaves with photos. PowerPoint turns me off. I want my audience to leave with something they can read later. I'm better at writing than speaking anyway.
Those of you who are Morty the Blog Patrons will be getting a copy of the handout. I know, it isn't comix, but this is where my creative energy went the last few months. I only printed 50 copies, and most of them are gone. But the Patrons can have this physical manifestation of my interests outside of comix.
This was a very wonderful and life-affirming project. Not only in admiring some of the choices made by my subject, but also with all the people I met in person or online who helped me along the way in gathering data.
The above image is courtesy of Mark Weldon.
To make a long story short, Willie's journey led him to be part of the pioneer life out here in Oregon and SW Washington. He was a very active participant of building the Montesano, Washington community, including serving as Mayor. He became one of my heroes when I researched how, in his role as county Sheriff, he courageously defused the violent 1887 Grays Harbor Fishermen's War without firing a single shot.
I'm submitting my findings for publication, but in the meantime I prepared a handout for those folks who attended my presentation. I intended to produce just a one-sheet flier to accompany my talk, but I got carried away and it is 20 leaves with photos. PowerPoint turns me off. I want my audience to leave with something they can read later. I'm better at writing than speaking anyway.
Those of you who are Morty the Blog Patrons will be getting a copy of the handout. I know, it isn't comix, but this is where my creative energy went the last few months. I only printed 50 copies, and most of them are gone. But the Patrons can have this physical manifestation of my interests outside of comix.
This was a very wonderful and life-affirming project. Not only in admiring some of the choices made by my subject, but also with all the people I met in person or online who helped me along the way in gathering data.
The above image is courtesy of Mark Weldon.
Labels:
1887 Fishermen's War,
Elmira NY,
Grays Harbor,
Mark Weldon,
Montesano Wash,
Morty the Blog,
PowerPoint,
Union Army,
United States Civil War,
Washington State Historical Society,
William Henry Bush
Sunday, April 8, 2012
Phone photo 1348
R.I.P.
After 5 years my old cell phone finally bit the Big One, but I sure had fun using it to take all those photos for this blog. They wanted to give me a fancy new phone, but I specifically desired a cheapo cell with cheapo photo technology so that my one-cylinder brain could handle it.
Monday, September 12, 2011
Dylan Williams
Sad news from The Beat that Portland cartoonist Dylan Williams lost his battle with cancer.
I had met Dylan at the last couple Oly Comix Fests. A nice guy and wonderful cartoonist. He was one of the official Morty the Blog followers.
I had met Dylan at the last couple Oly Comix Fests. A nice guy and wonderful cartoonist. He was one of the official Morty the Blog followers.
Labels:
Dylan Williams,
Morty the Blog,
Olympia Comix Fest
Monday, August 22, 2011
The Dust Settles
This blog is now a year old, and it seems a fitting time to change gears. The frenetic pace at which I have been scanning and posting primary documents of the Newave Comix era as well as my own work will be slowing down.
I want to start getting back in the comix creation game. Thanks to this blog the bulk of my old printed work has been caught up to this online technology, so now I feel reset with this modern a-gogo world and ready to make comix again.
Besides, I still owe art to Maximum Traffic and Dan W. Taylor, and getting the next Morty the Blog jam together.
It has been a singular experience reacquainting myself with all the works that have been posted here in the last year. This blog is only possible because of the efforts of the Fabulous Sarah, who set it up and made it run. Thank you Sarah!
I'll still try to post at least a photo every day, and continue to scan and share odd drawings, articles, etc. as I find them. I'm not stopping, I'm just going to walk instead of run.
I want to start getting back in the comix creation game. Thanks to this blog the bulk of my old printed work has been caught up to this online technology, so now I feel reset with this modern a-gogo world and ready to make comix again.
Besides, I still owe art to Maximum Traffic and Dan W. Taylor, and getting the next Morty the Blog jam together.
It has been a singular experience reacquainting myself with all the works that have been posted here in the last year. This blog is only possible because of the efforts of the Fabulous Sarah, who set it up and made it run. Thank you Sarah!
I'll still try to post at least a photo every day, and continue to scan and share odd drawings, articles, etc. as I find them. I'm not stopping, I'm just going to walk instead of run.
Labels:
Dan W. Taylor,
Maximum Traffic,
Morty the Blog,
Newave comix,
Sarah
Monday, August 15, 2011
Sunday, July 10, 2011
When America Invaded Russia : an American in Vladivostok, 1919 : a diary / by Alpha H. Fleming
I transcribed this unique diary in the McCleary Museum by painstakingly banging out it letter by letter on my old typewriter in 1990. I tried to follow the original as closely as I could. Not sure how many of these I published.
A very interesting primary document and soldier's narrative of the Allied occupation of the Soviet Union, specifically from a member of the American Expeditionary Forces.
OK, so I'm posting this bit of history on a blog primarily devoted to obscuro comix. Just one of the many ways we try to be eclectic here on Morty the Blog.
Al Fleming's Diary 1919
Labels:
Alpha H. Fleming,
American Expeditionary Forces,
Japan,
McCleary Museum,
Morty the Blog,
Russia,
Siberia,
When America Invaded Russia,
World War I
Subscribe to:
Posts (Atom)