Showing posts with label Dave Szurek. Show all posts
Showing posts with label Dave Szurek. Show all posts

Saturday, July 30, 2011

City Limits Gazette # Soft white Canadians wearing gaudy sombreros in Mexicali (Apr. 1993)













Logo by Randy H. Crawford, CLG reader profile of Ted Bolman, Tallahassee 'Zine Show by Jeff Zenick, Bil Keane Watch by Jeff Zenick - Tom Jansson, Xeric Foundation by Maximum Traffic, Seth Friedman sends Factsheet Five news, Maximum Traffic responds to Ricardo Nancy McJacksonstein, Dave Szurek describes life in Grays Harbor County, Bibliography of Virgil Franklin Partch II (VIP) by Wayno.

City Limits Gazette # Zoop = Urbs finis acta diurna = Cicdade limite noticias = Ville limite journal (Apr. 1993)













Logo by Wayno, Jeremy Pinkham climbs aboard, Bil Keane Watch by Maximum Traffic - Ben Adams - Mike Lee, CLG reader profile of Ted Delorme, Don McCune aka Captain Puget dies, Crad Kilodney update, 20 years ago with Dave Szurek - Maximum Traffic, Chrislip anniversary, Dusty Rhodes provides an early reference to Internet and email, The Northwest Illustrated Artpaper by Bruce Chrislip, McJacksonstein rant, Brief history of publicity by Mike Lee.

Wednesday, July 27, 2011

City Limits Gazette # 222222222 (Feb. 1993)
















Logo by Ted Delorme, Bruce Chrislip covers the hip Ballard scene including J.R. Williams - R.L. Crabb - brothers Kelly - Pat Moriarity plus a David Lasky mention, McJacksonstein escapes the Tumwater Psychiatric Prison for the Transculturally Perverse, Bil Keane Watch by Jeff Zenick - Wayno - Dusty Rhodes, CLG reader profile of Jeff Zenick, Bob Vojtko sends a blade of grass from his yard, Working Mother magazine apologizes for slamming The Master, Comix reviews by Lynn Hansen, Bil Keane Watch by Mark Campos, Dave Szurek on Obscuro press 1961, Comics Journal small press index by Gary Usher.

Just for fun I tracked two primary documents. Vojtko's blade of grass, trapped under tape, still looks pretty good. Also, I dug up the actual letter from Working Mother, representing one of CLG's proudest moments.