Showing posts with label Ed Martin. Show all posts
Showing posts with label Ed Martin. Show all posts

Saturday, July 23, 2011

City Limits Gazette # Mermaid, mermaid, have you ever seen blood? (Sept. 1992)

















Logo by Chad Woody, the number for this issue came from a song my innocent little daughter just made up while playing on the swingset, Bob Richart on Wayno and Wow Cool!, Gary Usher joins us, not buying Comics F/X, comix reviews by Lynn Hansen, Edward Martin III compares Morty and Garfield, Michael Neno on the Fred question, CLG reader profile of Lynn Hansen, Bil Keane Watch by Mike Lee, CLG reader profile of Michael Dowers.

I'm including the Morty/Garfield strips Ed is talking about. The Morty strip was drawn in 1986 for The Cooper Point Journal and reprinted in Morty Without Tears ; and, Planet of the Bobs (1989)

City Limits Gazette # Je me souviens (Aug. 1992)













Logo by Maximum Traffic, Ed Martin joins Dark Horse, Bil Keane Watch, Civic Karma in McCleary, CLG reader profile of Mark Campos, Michael Dowers returns to Seattle, John E. becomes a father, Bruce Sweeney's Underground Station with logo by Jerry Riddle, The Fallacy of California Redemption Value by Lynn Hansen.

Tuesday, July 12, 2011

Can o' Worms issue # 2





1st edition. Olympia, Washington : The Evergreen State College, January 1992. Enlarged digest size. I'm just scanning the front and inside covers here.

A look at the contents page (by Ed Martin) is most interesting. Matt Groening, Lynda Barry, and your faithful pixel correspondent were already considered old guys almost 20 years ago!!! Jeez. A milepost worth noting for this blog.

By now the three of us must be in the fossil category.

Of this second generation of Evergroove cartoonists, I've met Edward Martin III, Cat Kenney, and Megan Kelso.

Ed was a student worker in the Evergreen library when I was employed there as Head of Cataloging 1986-1988. I liked his creativity and he was a fun conversationalist. It seems today he is a film director.

Cat Kenney, who I always liked both as an artist and person, worked in a local comic shop for awhile. She was the one who first alerted me that my work was woven into Understanding Comics.

This book has a very early example of Megan's work. I had the pleasure of meeting her this year at the Olympia Comics Fest.

I like the nice visual directory of the artists on the back cover. The previous Evergreen cartoonists anthology, Tales From the Steam Tunnels (1981), couldn't do that since most of us had already graduated when that title was published.