Showing posts with label Nils Osmar. Show all posts
Showing posts with label Nils Osmar. Show all posts
Monday, July 18, 2011
City Limits Gazette # Milk of Human Kindness (Apr. 1992)
Logo by Mark Campos. Mark's logo here is one of my faves. OK, I might be coming across as a heretic here, but did Brando ever make an appearance in a movie that was worth a damn after The Godfather? I mean, he was always interesting to watch no matter how bad the film, but in his whole career you can count the really good films on one hand and still have enough fingers left over to deliver a Moe Howard style poke in the eyes to a pretentious film buff who declares Brando a genius.
Mark Campos and Nils Osmar weigh in on a panel discussion at Cartoonists Northwest, Comics F/X news, cartoonist Joe Sumrall murdered in Rainier Washington and the case has not been solved to this day, Bil Keane Watch, A.P. McQuiddy comments on Lynn Hansen, naked man quacks like a duck in a bank, comix reviews by Lynn Hansen, a tip of the hat to the great people at Pip (now out of business), comment by Ted Delorme, bad cover versions of She Loves You, She Said She Said, She's a Woman, She's Leaving Home, Something, Scott Johnson's resub.
Labels:
A.P. McQuiddy,
Beatles,
Bil Keane Watch,
Cartoonists Northwest,
City Limits Gazette,
Comics F/X,
Joe Sumrall,
Lynn Hansen,
Mark Campos,
Marlon Brando,
Nils Osmar,
Scott Johnson,
Ted Delorme
Saturday, January 1, 2011
Morty the Dog # 1
Do not be misled by the numbering. This is actually the second of a three issue run.
The first issue was Morty the Dog # nothing, released in an odd oblong minicomic format.
Issue # 1 was printed in April, 1987 and consists of reprints from Natural Functions, Tales From the Timewalker, Starhead # 9, and Shin Kage.
This was one of my few nationally distributed comix. I think Michael intended it to be a quarterly. It is now a fairly common visitor on eBay. Notice Michael's recognition of the famous black and white glut of the mid-late 1980s in his intro.
I notice that on the inside back cover advertisement, I'm the only artist listed who is still above ground today. Little shudders like that creep into my cranium on a more frequent basis these days as I reacquaint myself with these old comix. I never knew Sloan, sad to say, but Big Daddy Roth and I had sort of an interesting connection. I covered it in a minicomic called Musical Chairs.
Nils Osmar, who has an ad on the back cover, is a Seattle artist, writer and nice guy I met a few times at those comix get-togethers Bruce Chrislip used to host up there before he skeedaddled back to Ohio. Nils is apparently still active in Seattle and has a webpage worth visiting.
The panel in the first story where the scientist shows Morty the Starhead Comix on display under museum glass was sort of how I felt seeing the Tragedy of Morty on display in Maryhill Museum last October!
Labels:
Big Daddy Roth,
Black and white comix glut,
Bruce Chrislip,
Maryhill Museum,
Michael Dowers,
Morty the Dog,
Morty the Dog # 1,
Nils Osmar,
Ric Sloan,
Starhead Comix
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