with an introduction by Michel Jolivet. I have no idea what sort of print run this had, but it couldn't have been very many copies. This was hammered out on my old typewriter in May 1988.
I later reviewed
Plan 9 From Outer Space as part of my
Cheaper by the Dozen film reviews for OlyBlog. Here's what I said:
Plan 9 From Outer Space / directed by Edward D. Wood, Jr. (1959, VHS). Bela Lugosi, Vampira, Tor Johnson, Gregory Walcott, Mona McKinnon, Duke Moore, Tom Keene, Carl Anthony, Paul Marco, Dudley Manlove, Joanna Lee, John "Bunny" Breckinridge, Lyle Talbot, Criswell, Conrad Brooks, Tom Mason. "Can you prove that it didn't happen?" Don't you hate it when you enjoy what you think is a nice little secret and then everyone finds out about it and it gets to be a big deal? That's what I experienced with Ed Wood movies in general and
this one in particular. There is a natural evolution for Woodians. First, you laugh at his movies, then you slowly start to realize the guy really was a true visionary. A conceptualist. A genius. His work was totally unique, there was no other director like him. But as you reach these last stages of Wood enlightenment, the rest of the world is just starting to discover him-- and they laugh. And if you try to explain the gifted side of Wood and his masterpiece, Plan 9, no one will take you seriously. Wood first came to my attention in the early 80s when this movie was touted inaccurately as "Worst Film of All Time" in the book "The Golden Turkey Awards." Then I fell in with a wild crowd of bassoon players, which included a veterinarian in Burien who showed cassettes on Beta and a librarian who had a lawnmower that was previously owned by Mason Williams, and we watched Ed Wood movies with morbid fascination until all hours. Those were the days, before Tim Burton mainstreamed Ed. Plan 9 was Wood's attempt to lift the veil on the government's secrecy concerning UFO activity. Through the aliens, the brutal every-man-for-himself and ignorant nature of our modern American society is revealed. What makes this movie so interesting is that Wood built the whole thing around a few minutes of footage of Lugosi, right before Bela's death in 1956. In the course of telling the story Wood asks the audience to suspend expectations of several natural consistencies, like day and night going back and forth in the course of a few minutes, different actors playing the same character, scars that move around, etc. The cast is wonderful. Wood must've been a very gifted director to bring out such unique and spirited performances from his actors. They might not be polished, but they have spark. Since Wood didn't really believe in more than one take, you are watching some pretty spontaneous and improvisational moments on the screen. Plan 9, watch it once and laugh, watch it twice and think.
