Sunday, February 23, 2014

Favorite Movie Quotes: The King's Speech


"We're not a family. We're a firm."

Nana Mouskouri Sings Bacharach

Anniversary Song



1946 sheet music for a song from the movie The Jolson Story. The back cover includes other movie scores.

The Comix Files: Greg Beda


Greg Beda's signature and self-portrait from a 1998 letter, Redwood City, California.

Favorite Movie Quotes: I [Heart] Huckabees

"I’m just going to accept my loneliness, and I’m going to an even darker place of nothingness from an even farther, more extreme nothingness, on my own!"

Janie Marden Sings Bacharach

Phone photo 3186


Believe Me If All Those Endearing Young Charms





Quite an awkward title on this 1935 piece of sheet music. Cover art was by Chicago artist James Axelrod. The back cover includes some fun images for other products from Calumet. That is a very young Freddy Martin. I found two other versions of this score cover online with different photographs in the inset. One had a different picture of Martin, and the other had Kay Kyser.

Phone photo 3185

McCleary's helipad

Jerry Johnson, who is listed on the plaque as Chairman, along with his pal Windsor Olson, have a very unique place in the history of the McCleary Bear Festival in perpetuating a hoax that lasted several years and helped the town enormously!

The Comix Files: "Bambi" and Dyslexic


This short 1993 letter from "Bambi" may have actually been Julee Peezlee, the name behind the zine Dyslexic. Here are the fun mail-artish graphics that came with the note.

Saturday, February 22, 2014

Favorite Movie Quotes: The Devil Wears Prada

"Let me know when your whole life goes up in smoke. Means it's time for a promotion"

Phone photo 3184


Morty Comix # 2692






Morty Comix # 2692 was drawn on a foamboard scrap I had.

While in the waiting room of our local clinic for a friend, there was a brief window of time where I was the only person around. Being the art opportunist that I am, this Morty Comix was placed in the drawer of a little stand.

Phone photo 3183


The Tangeers Sing Bacharach

Phone photo 3182

That Old Gang of Mine




This cover, from 1923, resembles a motion picture lobby card in the way it is compartmentalized. I like how artist Malcolm Perret filled the lower left corner with an Art Deco swash for the dapper fellow to stand on. Also notice the drawing of the card game-- even though Prohibition was in full effect, the Old Gang appears to be drinking some bootleg booze.

And speaking of dapper guys, gotta love those "Beau Brummels of Song Land"!

All the names written on this cover suggest it was passed around a lot.

 

Phone photo 3181

McCleary, Washington

The Comix Files: Chuck Baldock



"Mikhail Bakunin" [i.e. Chuck Baldock] of Stinkbug Studios in Evansville, Indiana had a nice signoff in this 1997 letter.

Phone photo 3180



The helium Valentines heart falls back to Earth after a brief flight of fancy and becomes tangled in the thorny stems of reality.

Friday, February 21, 2014

The Searchers Sings Bacharach

Oh! How She Lied



1923 cover by Albert Wilfred Barbelle, who gave us quite the character study between this couple. Love the way he used the circles in the background to create a feeling of disorientation, along with the cartoon expression lines around the fellow's cranium.

The Comix Files: T.K. Atherton




T.K. Atherton's sock puppet logo, in use in 1986, was brilliant.

Wednesday, February 19, 2014

The Comix Files: Hank Arakelian

Hank Arakelian and I corresponded from 1982 to 1997, and talked on the phone several times. In the Newave Comix universe he was unusual in that he had a science background. In fact, in 1985 he earned his Ph. D. in physics from Stevens Institute in New Jersey.

Hank was a solid part of the Newave and created highly original and creative comix. He was a participant in the City Limits Gazette and contributed a great article on the work of Gustave Verbeck. Hank was also the subject of a CLG interview, the original manuscript is included here.

Hank and I had been jamming on a comic for a few years in the 1990s, but it never saw print. Unfortunately, when he dropped out of sight from the comix network, our jam art went with him.

I'm sure he had his reasons for vanishing, but since Hank is apparently not interested in promoting his artistic work, I'll take on the task of reminding comix historians of this unique artist.

Here are the graphic snippets from our correspondence: