Friday, October 8, 2010

Amused to No End



































The appropriately entitled Amused to No End (Brad's idea, I think) was a full length comix jam with Brad Foster, who published it under his Jabberwocky Comix label in Irving, Texas on what we Newavers called an "enlarged digest" format-- meaning legal size folded once. He used high quality smooth finish paper. Although the work has a 1986 date, according to my files it turned out to be distributed in January 1987.

I always thought of Brad and I as sort of bookends in the Newave comix movement. Both of us are from the same generation. We were quite prolific in the 1980s (although Foster was by far the most active), we loved the whole self-publishing game, the comix genre, and were very involved with the national social networking of this group of artists. Remember, this was long before Internet, so we relied on telephone and postal service.

And the comix themselves. In many ways these jams were a way we got to know one another and also hone our public persona.

Foster was much more professional in his approach to these comix. He would draw on fine paper, I used the cheapest I could find. He used rulers, I didn't. He used ink, I used felt tip. Our motives and subject matter were generally very different as well. His intricate penwork has earned Brad the Hugo Award more times than I can count. Our differences account for some of the comic tension. As with our first full length jam, we mutually agreed people find abuse to be funny and gave each other permission to throw pies in a clown war.

Interesting in this comic that for once some other artist is trying to kill off Morty the Dog other than me!

Trivia: The wraparound cover looks like the pencils were by both of us, but the inks were all Brad, no question. Page 3: 'Gators and caimans have long been one my favorite animals to draw. Page 6: My frequent use of mangled song lyrics in comix is a direct influence of my years of reading Mad in the 1960s. Page 9: One of the reasons Brad Foster is so fun to read. Lots of nice comic touches in one big panel. Page 15: A classic Foster mechanical invention.

Page 22: Brad and I didn't actually meet in person until a decade or more after this comix was drawn. He was in SeaTac, Washington at a convention as the guest of honor. He said I was more cheerful than he expected. Somehow I had the impression he thought I walked around all day dressed in black, morosely exclaiming, "To be is to die."

Page 23: I can actually remember the moment I followed Brad on this page. I was letting out a loud and long eeeeevil laugh.

Page 28: Brad's carpet cleaning remark is a reference to our earlier jam, One Normal Guy Talking With a Nut.

Scanned and posted with permission from Brad Foster.

Thursday, October 7, 2010

Phone photo 81

Alternative Library Literature



The 1982/83 and 1986/87 issues of Alternative Library Literature included my graphics, and this 1994/95 issue carried some cover art with color. It was the first thing I drew after a major surgery that did a number on my nervous system, taking away stability from my drawing hand.

As I recall, getting contributor copies from McFarland, the publisher, was like pulling teeth off a caiman. I think I had to pay to have an issue for my files.

Sandy Berman was well known in the world of library cataloging as an activist challenging the Library of Congress subject headings rigid and narrow policies. But Jim Danky, who was my contact for this series, is better known in comixland. As a librarian at the Wisconsin Historical Society he oversaw a collection of radical print publications (including comix) and apparently served as sort of a mentor for helping Jay Kennedy assemble his The Official Underground and Newave Comix Price Guide (1982). I think Jay went to college in Madison and connected with Jim while there.




Phone photo 80

Wednesday, October 6, 2010

Bezango "On Comics"



Olympia Power & Light is a biweekly paper in Olympia, Washington. It started up last December. I have an irregular column in there called "Bezango." If you look closely at the logo, you'll see a picture of Morty the Dog running. Editor Meta Hogan supplied that one. I could never place the source until I scanned and posted The Almost Complete Collected Morty Comix, and now I realize she found that image from the cover of that monograph. It works.

Since I had to haul out this newspaper to check the graphic, I might as well scan and post it. OP&L issue #14 (June 2-15, 2010) was the special comics issue, published in conjunction with the Olympia Comics festival. This column about cartooning was actually written about 6 months before. Olympia cartoonist Chelsea Baker convinced me to contribute a new 2010 work ("4 Panel Breakup") and Meta, I think, gave readers a sneak peek of page 2 or 3 of a new Morty story that may or may not ever get finished and/or published.

Tuesday, October 5, 2010

Phone photo 79


The sign is not joking. Red wing blackbirds hang around these wetland retaining ponds in Tumwater and dive bomb people. A few years ago one of those little devils actually drew blood from the top of my cranium!

I blame Alfred Hitchcock for giving these birds such fowl ideas.

Sometimes a black bird will be looking as if it is poised for attack, but it turns out to just be a crow. No caws for alarm.

Bumbershoot 2010


Hey someone from Oly told me they saw some of my comix from the 1980s on exhibit somewhere up at Seattle's Bumbershoot festival this year. This was news to me.

Anyone out there see it? Can you fill in any details?

Phone photo 78


Mountain ash in front of my house.

The Almost Complete Collected Morty Comix
































The prolific Brad Foster, easily one of the major figures in the Newave movement, honored Morty Comix by publishing this collection in Oct., 1984. Like many other of his Jabberwocky Graphix publications, the printing quality and paper stock was a cut above what we photocopy groundlings were used to.

Personally I think was Brad must've been a bit nuts to collect, compile and edit this thing. But I believe we broadly cover this topic in a Foster/Willis jam I'll post in the future called One Normal Guy Talking With a Nut.

This comic had a white cover and guts, with a spine measuring 28 cm. Brad published a special 1 copy edition with blue guts, and this is the one I've scanned. Catch his handwritten inscription after the introduction. You'll probably have to click on the image and enlarge it a couple times to read anything.

Trivia: Ronson Rabbit on page 8 was a character in comic books I drew in my childhood. The woman at the bottom of page 14 really existed. She died earlier this year. Page 16: Fred with the worms was also a real person. I can't recall where and why he used this line, but it was apparently a pretty funny backstory. The song on page 22 anticipates another future Foster/Willis jam, Amused to No End.

Several of Morty the Dog's relatives are presented here: Aunt Trixie, Uncle Barko, Uncle Fido, cousins Col. Canine, Mildeworth, Otto, Bosworth, and 2nd cousin Roger. Also seen are historical figures: Emperor Julian and Gerald Ford.

Phone photo 77

Alien Dreams


A poster for one of my brother's plays in 1997. I cannot recall how the name "Morty Dog Productions" made it to the top margin.