Thursday, July 14, 2011

City Limits Gazette # 8080642 (July 1991)





Jerry Riddle on comix definitions, Bil Keane bibliography on a WLN printout, bad cover versions of Hard Day's Night, Hello Goodbye.

Phone photo 540

Scotch broom and Mud Bay
Thurston County, Washington

City Limits Gazette # ... (June 1991)





Comic art collections in academic libraries, Jane J. Oliver subscribes, Mark Campos writes a Bil Keane Watch, bad cover versions of Get Back, Getting Better, Girl, Golden Slumnbers and/or Carry That Weight, Good Day Sunshine, Good Morning Good Morning, Goodnight, Got to Get You Into My Life, Hard Day's Night, The amazing maze of middle management!

Phone photo 539

Buster says, "It's good to be the King."

City Limits Gazette # (June 1991)





Logo by Mark Campos. Bruce Sweeney's Underground Station with logo by Bruce Bolinger, The Bil Keane Watch, me apologizing for being sort of a jerk, bad cover versions of Fool on the Hill, For No One, For You Blue, From Me to You, Get Back.

This particular Bil Keane Watch was one that was read out and performed with great emotion by Bruce Chrislip at SPACE 2011.

Phone photo 538

City Limits Gazette # blue sky blue (May 1991)





Logo by the wonderful Wayno! The first official Bil Keane Watch. News and comments by Bruce Chrislip, Bruce Sweeney on Kennedy's Guide, bad cover versions of Don't Pass Me By, Drive My Car, Eight Days a Week, Eleanor Rigby, The End, Every Little Thing, Everybody's Got Something to Hide Except For Me and My Monkey, Fixing a Hole, Flying, Fool on the Hill.

Phone photo 537

Helium Frog

City Limits Gazette # 5 zillion and six (May 1991)





Logo by Mark Campos. Dennis Pimple on defining underground comix, Lynn Hansen reviews, Wayno on minicomix, bad cover versions of Day in the Life, Day Tripper, Dear Prudence, Dig It, Do You Want to Know a Secret, Don't Bother Me, Don't Let me Down.

Phone photo 536

City Limits Gazette # snoodlebee clapsaddle (May 1991)





Snoodlebee Clapsaddle was the name of a character I invented in the 1970s and have used sopradically over the years, such as in Cranium Frenzy # 7 (1994). Sometimes the name is spelled as Snoodle B. Clapsaddle.

Logo by S. Minstrel, Jay Kennedy defines underground comix, Jim Ryan creates a Ryan/Willis image, the WSU comix collection covered by the Lewiston Tribune.

Phone photo 535

City Limits Gazette # zimbo (Apr. 1991)





Logo by S. Minstrel. Bruce Chrislip covers the Misfit Lit Panel Discussion where Robert Crumb falls over in a chair.

Wednesday, July 13, 2011

Phone photo 534



City Limits Gazette # ...---... (April 1991)







Uh, er, did I say the first issue of CLG was the only one printed in broadside format? Oops. Guess this one was as well.

The "cranky letter" I make reference to in the second news item had been published in The Comics Journal # 140 (Feb. 1991). I'm including the actual printed letter below. As you can see, the Family Circus zen party is being prepared.


Phone photo 533

City Limits Gazette # bezango (March 1991)







This issue of CLG might've been my first use of the word "Bezango" in print.

An innocent mention of King Features editor Jay Kennedy and his connection with Family Circus artist Bil Keane is the first fine line crack in the dam that will soon burst.

I provide a brief synopsis on the comix career of Ronald Gabriel Vicens II, better known as "Gato."

Bad cover versions of And I Love Her, And Your Bird Can Sing, Ask Me Why, Baby You're a Rich Man, Baby's In Black, Back in the USSR, Ballad of John and Yoko, Because, Being For the Benefit of Mr. Kite, Birthday, Blackbird, Blue Jay Way, Can't Buy Me Love, Come Together, Continuing Story of Bungalow Bill.

Dog Boy drawing by Steve Lafler.

Gato's final letter

Phone photo 532


Opening Day, Tumwater Farmers Market
Tumwater, Washington

City Limits Gazette # ... (March 1991)





News on John E., a Walt Rodgers drawing, Bruce Chrislip's Cartoonists City column, Clay Geerdes responds to Chrislip, bad cover versions of Across the Universe, All My Loving, and All You Need is Love. The very last sentence on page 4 is a bit chilling since my fellow listed major WSU Library comix collection donors are no longer with us.