Spring! and Nixon

My Mother recently cleaned out one of her closets and found a couple old drawings of mine.

Spring! was drawn, I'm betting, about 1984.

The isolated Richard Slimehouse Nixon was probably drawn in 1973 or 1974 as his scandals piled up. Notice it is signed by "Jobbo Bonobo."

Mukey the Mutant Membrane

I'm trying hard not to get a cold today. How fitting to be posting this, of all comix.

1st edition was available as a print-on-demand comic in 1996, I'm guessing about 100 copies out there. This and following editions are regular digest size.

Special ultra-rare goldenrod edition, 3 copies, 1999. Entirely goldenrod.

1st Danger Room Reprint edition, July 2005, 5 copies, green (of course)

This book was used as a vehicle to explore my always uncomfortable relationship with capitalism. I figured using this big piece of snot would be too disgusting for anyone to take seriously as a commercial character. After all, I invented Mukey about 1972-1973 and he hadn't gained much of an audience in all those years.

I was wrong. I think Mucinex should pay me a royalty for their Mr. Mucus character. Another example of the mainstream catching up to us obscuro guys.

Mukey has been a supporting character in many comix over the years, but this is the only comic where he is the focus. I keep hoping one day my brother, Bryan, will write a play about Mukey. A musical. And then it will be turned into a movie. And then the franchise rights will ...

Oh.

See? See what this character does to my thinking? He's dangerous.

Trivia:

Pages 12-15 are entirely true. Page 15 anticipated the publication of Sean Tejaratchi’s Kool Man.

Back cover and inside back cover. My daughter Rose felt that Mukey was "disgusting" while Gumby was "refreshing." Personally, I always thought Gumby was terrifying.

Attached is a photo of her art piece, made at the same as this comic, "Mukey and Gumby in a fight (and Morty)." Gumby says: "I could beat you any day in looks" Mukey replies: "Ya. You wish." Morty observes: "Can't you to be quiet. I need to think!"

Morty U-Shape

A comic created by the audience, making it sort of a cartoon democracy.

Originally drawn in 1986, this was meant to be a stand alone book, but the publisher made it part of the Sketchman # 2 anthology. It wasn't until December 2005 that I finally got it into print the way I intended.

25 copies, blue, enlarged digest size.

The text responses are pretty funny. Funnier than the graphic portion, actually. This is what happens when you attempt to get a bunch of wiseass cartoonists to fill out a simple form.

Gimmie Comics # 1

1st edition, June 1973, McCleary, Washington, 100 copies, white cover, 10 legal size leaves.

2nd edition, September 1982, Olympia, Washington, 25 copies, blue cover, digest size.

3rd edition, 1984, Gilbert, Minnesota, HSC, 25 copies, white cover, digest size.

Print-on-demand reprint edition, 1994, digest size.

1st Danger Room Reprint edition, July 2005, 5 copies, green cover, digest size.

I count this as my first underground influenced comic. The initial edition was hand cranked from a mimeograph. A few copies were in comic shops in Aberdeen and Tacoma, Washington. The Tacoma shop asked me what the heck I thought I was doing. A few of these were sold or given away before I destroyed the remaining 80 copies. So theoretically there are 20 copies out there in the world.

I don't even own a copy of the 1st edition, but my old friend Rex Munger lent me his copy many years later and I copied it, retraced some of the faint lines and reissued the thing with an intro. The 2005 edition has a rewritten introduction.

The graphics were carved into that gummy mimeo master with a stylus. Although not exactly a stellar work, you can see I was already interested in porcupines. There's the obligatory drawing of then-President Nixon as a Nazi. The victim in the New Hampshire pancakes page is a self-portrait. Actually, within a few years I actually was in a New Hampshire diner and deliberately ordered pancakes for breakfast. The artist on the last page is also a self-portrait. Apparently I had cut my hair short by the time I reached the end.

Cranium Frenzy # 9

1st edition, February 1998, 65 copies, grey cover. All editions are regular digest size.

2nd edition, February 1998, 60 copies, pink cover.

3rd edition, May 1998, 30 copies, salmon cover.

1st Danger Room Reprint Edition, June 2005, 5 copies, yellow cover.

I'm pretty sure at least 95% of this comic was drawn with #1 lead pencils. I might've used felt tip for the solids. The original art, I think, fell between one of my filing cabinets and the wall several years ago. Right now my studio is in disarray from flooding (long story), so perhaps I'll be forced to find this art again as I put things back together in the next month or so.

Trivia:

Page 1+: This "what if" question later became part of a series of one weird conundrum after another that was published in Seattle's The Stranger and also in OlyBlog. In the latter case there is audio.

Page 5: It took a lot of out loud practice, much to the consternation of my family and friends, to finally nail down how to spell out these laughs in comic form.

Page 8-10: Room 237 has a special place is cinema.

Librarians and comix never used to mix much. But in the last decade or so people in our profession have decided it's OK to laugh at ourselves instead of being so defensive.

Yes, that's my 1998 self-portrait.

Page 12, panel 1: Oh how I long to hear the Mormon Tabernacle Choir singing "I Haven't Seen My Underpants In Weeks."

Page 13+: Perry Como died a few years after this story was published, so of course we'd have to find a substitute person for this terrific movie script. Wayne Newton, perhaps.

Page 16: The Worst Cat in the World was actually a half Siamese/half Manx named Snowy.

Page 19-20: I actually really like Oregon, but we Pacific Northwest siblings like to have our little teasing jokes. Portland has a vibrant comix scene, by the way.

Cranium Frenzy # 8

Along with a few other titles, Cranium Frenzy # 8 came into the world during my print-on-demand phase, so it never really had a 1st edition print run in the Kennedy Guide sense. The first ones were printed about October 1995 and the title was made available on a demand basis through 1996. I'm guessing maybe a hundred or so in this time period? All versions were published in regular digest size.

Yellow Edition, 1998, 2 copies, pink cover, yellow guts.

1st Danger Room Reprint Edition, June 2005, 5 copies, blue.

One of the very first long comix I drew after nearly dying in March/April 1995. Not only is my existential side more entrenched in the storyline, but the surgery had an impact on my nervous system. If you look closely you can detect the unsteadiness of my drawing hand by the Richter Scale-like seismic squiggles in the felt tip lines. At first it didn't seem so bad, but then it worsened and finally peaked around 2000, I guess. I'm steadier today but my left hand has never regained the old control.

What had happened to me? The doc said I had swallowed a toxic substance, a poison of unknown origin, and it was killing me from the inside out. The lab could not identify it and I have no clue what it was. They slit me up a treat and took out pieces of me on April Fools Day, 1995. I still have a nice long scar on my abdomen. There is much more to this story, but that is for another post.

Trivia:

Page 1: When Evergreen student Lee Norton interviewed Morty in the mid-1980s for the Cooper Point Journal, she described his ear floating in his drink. That image stuck with me, so I used it.

Page 4: Yes, that wooden bear really exists. I'm attaching a news article from the Jan. 15, 1997 East County News where my sister-in-law Susan and I are photographed next to thing on top of McCleary City Hall. I remember the bear was cracked and covered with a fine patina of thin green moss not visible from the street. Such are the realities of living at the edge of rain forest country.

Page 6: Hamlet stuff.

Page 8, panel 5: And that's exactly how it happened.

Page 9: Nixon in Orwell's 1984.

Page 10, panel 5: I really was reading Whitman's Leaves of Grass at the time they told me I had to be sliced apart or die. Somehow it seemed fitting.

Page 11: How Can You Sleep?

Page 12+: The Big G has always been one of my favorite characters to use as a foil for Morty. Mukey too. In this case, I've got all three interacting.

Page 15: It's them damn giant reptiles again! I think I must enjoy drawing all the jagged and pointy lines on these critters. That's the only explanation I can come up with.

Page 20: I'll talk more about Mukey the Mutant Membrane when we see his only solo comic which is entitled, strangely enough, Mukey the Mutant Membrane.

Back cover: Two truths. Both correct. Paradoxism needs a snappier label than "Paradoxism."

By the way the video we produced was entitled From They To We, it was 30 minutes long and aired on Olympia's TCTV for the better part of a year.