The Diogenes Club
Wednesday, February 13, 2013
Morty Comix # 2527
Tuesday, February 12, 2013
Postcard - Chehalis, Washington
If you click on and enlarge the image, you might be able to see Mount Saint Helens (when it still had a pointy top) on the horizon. Obviously this card was printed prior to the May 18, 1980 eruption.
Chehalis is known regionally as the county seat for Lewis County, for being a twin city of Centralia, and for hosting giant Yard Birds.
Monday, February 11, 2013
Favorite Movie Quotes: Lawman
Sunday, February 10, 2013
Morty Comix - 30 Years, a History and Guide
Here's the guide I wrote for Morty Comix as it appeared on OlyBlog, July 17, 2007:
[Warning, unless you are into alternative and obscuro comix, the following essay will contain references that might seem esoteric and remote. This article (now slightly revised, 12-1-07) was originally written in Apr. 2002 for the White Buffalo Gazette (WGB):]
Morty Comix started in Feb. 1983 with several motives in mind. First, it gave me a way to loosen up my drawing hand. Second, it was a way to drive completist collectors crazy. The basic Morty Comix was a blank index card folded in half with four original drawings. They were numbered in sequence, dated and signed. I attempted to include an issue in each piece of correspondence. Here are some answers to questions you probably didn't want to ask about this series:
The first issue was drawn in Feb. 1983 in Olympia, Wash. It was sent to the now legendary Ron "Gato" Vicens in Hawaii. I won't call #2195 the final issue, since I consider this title to merely be in stasis, but this was drawn in late 1999 and sent to Jeff Zenick in Florida. It was reprinted in WBG in June 2000.
There are four distinct subsets. #1-1000 (Feb. 1983-Mar. 1984), #1001-1225 (Jan.-June 1985), #1226-1760 (Sept. 1985-Sept. 1986), and #1761-2195 (Apr. 1, 1989-Nov./Dec. 1999).
In addition to the blank index card format, other issues were drawn on library waste cards, large sheets of butcher paper, cardboard, foam, styrofoam, and wood. Some issues were produced as puzzles, #1446 and #1500 are 80 pages thick. One issue (sent to Tim Corrigan), was burned into a large sheet of plexiglass. Another (sent to Bob X), was drawn in the sand at Ocean Shores, Wash. and sent as a photo. #1641-1690 were drawn on the inside covers of copies of Starhead Presents #1
Other artists participated in a few issues. Bruce Chrislip jammed on a few, although the exact numbers have been lost. Marc Myers jammed on #1430-31, 1439. Clint Hollingsworth and Myers and I drew #1432. John E. (John Eberly) with #1467, and #1730 was a 4-way effort, which included Ted Bolman, Michael and Keenan Dowers. #1433 was a Marc Myers solo.
Chris Bors took his copy of #1025 and (with my permission) reproduced it as a minicomic with a 50 copy run. #1882 and #2173 were drawn to be published, the first from Starhead Comix and the second by myself (50 copies). #2058 and #2114 have been "published" online at minicomic.com [2007 note, the URL is now dead].
Morty Comix have been sent all over the world. They have found their way to at least 4 libraries (NY State Library, Michigan State U., Washington State U., and Wis. State Historical Society). #1702 was attached to a string on a helium balloon in 1986 and was last seen high in the sky heading west from McCleary, Wash. Five issues were sent at random to other guys named Steve Willis. Lynn Hansen held the record for having been sent the most issues (70). He died in 1995 and when his comix collection was donated to WSU, it can be assumed the Morty Comix were in there as well. Other major Morty holders were John Eberly, Michael Dowers, Brad Foster, and Jay Kennedy. Minnesota collector Joe Schnide, by my reckoning, has managed to accumulate the largest collection of any living collector [2007 note, eBay bidder Albert Law seems to usually win the auctions when Morty Comix show up, so he must be up there as well by now], although WSU is where you'll still find the highest concentration. There are 13 issues I sent but cannot account for.
In 1984 Brad Foster published a large collection of this series in The Almost Complete Collected Morty Comix, culling from the 1983 and early 1984 issues. Somehow Brad managed to talk several people into loaning him their copies. Morty Comix have also been published in: Inside Joke, Acme Subheroes, Mini Haha Komix, Monthly Independent ..., Scratchez, Misc. Comics, City Limits Gazette, American Leather, Over the Wall, Small Press Comics Fanola, Mashuga, Small Press Comics Explosion, Morty the Dog, Upperground, Industrial Toilet Paper, Maximum Traffic, Bezango Obscuro, Damn Weird Comix, White Buffalo Gazette, and, Cartoon Loonacy.
Although Morty Comix didn't exactly start a genre, it did inspire a number of short-lived responses from other artists such as: Par Holman, Paul Cartmill, Richard Wayne, Roldo, Chester Brown, Jim Ryan, Clint Hollingsworth, Maximum Traffic, George Erling, Marc Myers, Hank Arakelian, Gary Usher, Larry Weir, Jamie Alder, Jim Waltman, and Bruce Chrislip. They had titles like: Dawg'on'it Comix, Jimix, Le Morte Comix, Maori Comix, More "Tea"? Comix, Morfy Comix, Mormony Comix, Neon Paisley Dino Attack on Morty Comix, Nivlem Comix, Non-comic Comix, Nonmorty Comix, Psuedo-Morty Comix, Puppy Chewed Comix, Shorty Comix, and Ytrom. The only other artist I am aware of to seriously undertake creating multiple issues of an original hand-drawn series was Ted Bolman, who started Nauga Comix in, if I'm not mistaken, Jan. 1986. I'm not sure if Ted is still drawing this title, but he was up to #294 last I saw. Most of the Nauga Comix I have seen appear to have more of a storyline and are drawn with more planning and care than my dash-offs.
Morty Comix was sort of a statement that original art (at least my original art) is not some sacred collectible thing, but merely the residue of a compulsion that is freely sent to anyone who I was in contact with. In the last decade it was harder to keep up, and I didn't always have issues to send. They were messages in a bottle. It is fun to track them and see where they wind up. So it is with considerable irony I have seen them sell for as much as $50 each on eBay. Sure, it is out of my control now, but Jeez, what will these things be worth after I croak? Will I ever bring this thing out of stasis and start subset 5? Not for awhile, if ever. The 21st century and I are not really getting along too well so far, and somehow I feel I'm protecting Morty Comix by keeping it forever in the amber of the 20th century.
Now to the Update:
In the summer of 2010 an insidious co-worker named Shawn Moriarty convinced me to produce some more Morty Comix as a benefit for the Olympia Film Society. And so the disease was reborn.
Morty Comix # 2258 was really the first of my online random versions. Morty Comix # 2279 was the point where I started leaving them as art bombs on a regular basis. Morty Comix # 2403, I think, is when I began sporadically using random methods of choosing where to send an issue to spontaneous addresses via the U.S. Postal Service.
And now, for you unfortunate souls who want to collect this series, here is my list of Morty Comix distribution. Note that I originally kept track by name, then by number. Then I just stopped recording the info since they were tracked right here on Morty the Blog. I love the fact the most recent issues will be the most difficult to collect! Obscuro Comix Forever!
There are many notes made in non-photo blue on these sheets as I attempted to track the location before I gave up due to the hopelessness of it:
Postcard - Centralia Steam Plant
The postcard is from 1976.
The Plant came under environmental fire in Century 21 and must undergo drastic changes in the next decade.
Morty Comix # 2526
Why? Because I see the creation and consumption of art as ever evolving. Something that captivates me at age 18 will become lame and stupid by the time I am 35, 40, 50. Plus, and believe me I know, our bodies change shape like silly putty as we hurtle through time. And that changes the presentation of the tattoo.
I understand there are at least two people running around out there in the world with Morty the Dog tattoos, although I have not seen them. One of them gained his Morty body graphic long before tattoos became hip. That was a real radical leap and I do respect him for that. But what if I subsequently had suffered a severe head injury and became a member of the Tea Party or the NRA and allowed Morty to be an icon of these hater un-American movements that stand for nothing but fear, greed and ignorance?
But, that being said, apparently the late great underground cartoonist Greg Irons, an artist I admire very much, was a tattoo artist in Seattle working in the city at the same time I was a graduate student at the University of Washington over 30 years ago. And this was before tattoos became fashionable for middle class kids. Back then, the radicals got tattoos, but these days the radicals don't get them. If I had known Greg was in town I would've been very tempted to get an Irons tattoo. The guy was the Durer of our time, a gifted artist, and a big influence on my own cartooning. I loved his work.
As I recall, Bruce Chrislip (who was hosting), Michael Dowers and I were downing a beer or two (er, or more) next to Lake Union late 1984 when Bruce gave us the news Greg had been killed by a bus in Thailand at age 37. It's not fair. We were robbed of several more decades of work by a great artist. Very funny Mr. God, thanks a lot!
Postcard - Centralia, Washington
"Fort Borst Blockhouse, Centralia, Wash. This historic blockhouse was built in the 1850's by early white settlers for defense against the Indians. Luckily, it never had to be used for this purpose. Today it is located in Fort Borst Park."
This postcard was sent to me on July 8, 1986.
The blockhouse has been moved a bit from the original location. It stands as a monument to the paranoia and ignorance that ran amok in the 1855-56 conflict with the Natives of Western Washington. Check out the murder of Quiemuth and the "legal" lynching of Leschi.
Morty Comix # 2525
Phone photo 2259
Postcard - Centralia, Washington
"Centralia, Washington, and Mt. Rainier. Centralia, founded in 1852 by a freed Negro slave by the name of George Washington, is in the middle of Lewis County, serving as the hub of the Evergreen Country."
Looks like this dates back to the 1960s. On my Mom's side of the family I have ancestors who were living here dating back to the territorial era. In fact, the house where they lived, and where my Mom was born, is visible in the lower center portion of the card. Today the building is the local headquarters for Windermere Real Estate.
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